::: L@S ELOTER@S :::

A collective of six young, committed Latin(@=a/o) writers from Chicago. We believe our narratives can document cultural and social conditions. We hope to create a new and safe space for Latin@ voices to be valued and heard in the city of Chicago. We nourish each others’ creative and critical processes, as well as support each others personal and professional development. We work/collaborate within our varied communities. We write to survive. We survive to write.



14 October, 2008

Immigrant Storytelling Workshop

L@s Eloter@s led Immigrant Story telling workshop, OCT 12, 2008
Young Chicago Authors / 1180 N. Milwaukee Ave, 2nd FL / Chicago, IL

Critical Response Sheet
Q&A:


What is immigration?
A crossing. A freedom only birds seem to have.

Why do immigrants leave their countries?
Why does anyone move? Because they want something else, because they are being evicted, because they have to...

What is your relationship to immigration?
Immigration and I have a familial relationship. My father came here with his mothers and six brothers from Mexico, when he was three. But besides that, almost everyone in this country is an immigrant. Whether they were forced to come here (Atlantic Slave Trade) or they chose to come. We are all related.

When have you ever had to hide who you are? Why did you have to hide?
When I was working the back kitchen of an Italian restaurant, where only Latinos worked. The cooks would yell orders at me in Spanish. I would understand enough most of the time to get by but I was ashamed to acknowledge when I didn't understand. I wash ashamed at how American I had become.

Have you ever been forced to move? What did it feel like?
I used to live with my family in Wicker park when it was a completely Latino neighborhood. I remember when over a thousand gang member took over the streets of our neighborhood to show their strength. My father planted trees on the streets and had me go out everyday and clean off the sidewalks and throw out the syringes and other things that found their way into the dirt around the trees. he wanted to make the community better for everyone. but then people started seeing our neighborhood as another way to make money and we eventually had to move because the rent got too high. My father, inadvertently, was helping the gentrification process along.

Describe a place where an immigrant is welcome
In my neighborhood where fruit trucks line the parks. Where old men and children play soccer and suck on mangoes. Or in Che's ma's apartment, above the church, where Elvira stayed safe from the police for so long.

What daily borders do you cross? What do these borders look, taste, smell, and sound like?
I cross a border anytime I leave my house. Crossing is what I always want to do. From crossing the street to the imaginary borders that separate neighborhoods. I cross cultural boundaries by choosing to know and learn more, not only about my culture, but about other's. I wonder who makes these borders that we have to cross?


WRITING PRODUCED DURING WORKSHOP: First Drafts

The Crossing Part 1
He was old enough to walk but still want to be held, when they left. He doesn't remember much about the crossing, just the smell.

The Boy and The Chicken
He was born on a farm in a small town in Mexico. He remembers running after chickens, getting scratched and letting them go. His father showed him how to kill a chicken with his hands when he was three. He twisted the neck, just like his papa told him to, in between his soft, brown boy hands. But maybe he hesitated at the last minute, or he just didn't have the strength, or he caught the last look that chicken gave and fumbled. Whatever the reason it only half worked. The neck didn't snap off like it was supposed to. Instead, it just kinda fell over like a dead, wilted flower, still wet. He dropped the chicken and it ran like mad all over the coop. It's head flailing and smacking it's feet. His father grabbed the poor chicken, and snapped it's nerveless, drooping neck off in a quick flick of his wrist. he turned to his wide eyed boy, clinging to his mama's orange and pink flowered skirt, and said "Now, that's how you kill a chicken"

The First Spider
When I was a little girl, my father used to tell me stories. My favorites were the one's about the spider. He said when he first came with his mother and brothers to America, the land of the great, it didn't seem to much different from the farm. There was still that dust that got in your eyes, the cactus and the sun. Except this time they didn't have a house. he says they lived in a shack on the ground for weeks before mom found a way to contact their relatives in Chicago to send money. Dad always tried to teach me a lesson with his stories. I think this one was about mastering your fear. The story goes that him and his brothers were sleeping on the dirt in their sleeping bags when one night he woke up and saw a spider the size of his fist looking up at him from his chest. It was then he decided that it wasn't the way he was supposed to die. He told the spider that he could stay for as long as he like as long as he didn't hurt him and then closed his eyes and went back to sleep.

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